In the vast expanse of a 37-year career as a commercial photographer, I've encountered a myriad of incredible assignments. However, when asked recently about the most interesting one, my mind danced through countless memories before settling on a particularly unique experience that unfolded in an unexpected manner.
The story begins in New York City, where I was presenting my work at a photography conference. Post-presentation, the buzzing energy of networking filled the air. Amidst handshakes and exchanges, a friend approached me with an intriguing proposition. She mentioned that a group of businessmen, whom she had just met, were eager to speak with me. Trusting her judgment—she's a corporate executive whose recommendations are always worth considering—I agreed to meet them.
Matthew Jordan Smith speaking on the art of photography
The introduction led to an invitation for dinner. That evening, seated at a table with these businessmen from China, I found myself enveloped in a fascinating interaction, bridged by an interpreter. They spoke little English, but their enthusiasm for my presentation was evident. As the courses came and went, our conversation deepened, transcending the language barrier.
By the end of the evening, an unexpected proposal was laid before me: they invited me to travel to China to photograph 75 of their country's top directors, writers, producers, and actors. The opportunity was as sudden as it was exhilarating. Accepting their offer, I found myself soon discussing the finer details of the project.
This assignment, born from a chance meeting and a shared meal in NYC, not only challenged me professionally but also enriched my experiences, reminding me of the serendipitous nature of life and the power of new connections. It stands out as a vivid chapter in my career, highlighting how sometimes, the most memorable opportunities come from the most unexpected encounters.
Despite having never traveled to China and not speaking the language, I embarked on this assignment with a deep-seated confidence. Photography, after all, speaks a universal language. With camera in hand, I was ready to bridge any communication gaps and capture stunning portraits of some of China's finest creative minds.
As I gathered my team for the month-long expedition, I reflected on a conversation from that pivotal dinner in New York. My client had expressed admiration for my lighting techniques, a central theme in my work and in my teaching. I explained that my approach to lighting was heavily influenced by cinema. In fact, in my online course, Photography Lighting Course, we often analyze films renowned for their distinctive lighting. Recently, we delved into the lighting techniques used in the Netflix remake of "The Talented Mr. Ripley" titled "Ripley."
This approach resonated with my client. He appreciated that as photographers, we are perpetual students of light, continually learning how to harness light to evoke emotion and tell stories. Empowered by his trust, he gave me carte blanche for the project, a rare and exhilarating freedom.
The assignment was transformative, allowing me to collaborate with luminary filmmakers like Chen Kaige, the director behind the acclaimed "Farewell My Concubine," and Guan Hu, whose film "Black Dog" was honored at the 2024 Cannes Film Festival with the Prix Un Certain Regard. Working with such visionary directors and artists was not only a privilege but also a profound learning experience.
Film Director Chen Kaige
This project underscored a vital lesson that I often share with my students: photography transcends the technical mastery of equipment and lighting. It's about interpreting and molding light to fabricate mood and depth in imagery. At the Photography Lighting Course, we strive to impart these skills, encouraging our community to explore beyond the technicalities to truly master the art of photography.
Filmmaker Guan Hu
For those eager to embark on this journey and hone their skills in capturing light and emotion, join our community by visiting Photography Lighting Course. Here, we're more than just photographers—we are lifelong learners of light and storytelling.