Blog — Matthew Jordan Smith

Photography

COMPOSITION AND LIGHTING EXERCISE

During the course of my 28-year photo career I’ve learned a lot from simply watching great movies, but watching great movies alone isn’t enough. You have to practice once you’ve been exposed to new information. We all love watching movies, and today I’d like to share an exercise you can do after watching a classic movie to become a better photographer.

I shoot fashion/beauty and commercial portraits but regardless of the type of photography you enjoy shooting, this exercise will help you to become a better photographer. The goal of the exercise is to help you see and understand light and composition, but you’ll also learn how these two elements work hand in hand to create powerful images.

This year is the 50th anniversary of a great classic movie that I hope many of you have seen at some point in your life. This classic film is also the perfect teaching tool for photographers. For this exercise I’d like you to watch the first hour of "The Sound of Music", but with the sound muted so can you focus only on the visual elements of the film. 

 
 
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The movie opens by using powerful landscapes and cityscapes, and as photographers we too can use supporting elements when taking portraits, weddings, or fashion and beauty pictures to make our feature images more powerful. 

 

 

 
 
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After the opening series of images you’ll see the nuns start to walk into the Abbey. The shot is taken from above. Take nothing for granted as you look at this scenes composition.  Now practice taking your next photograph from different angles; maybe one from a high angle over your subject and another version taken from a low angle. When you have a mix of different points of view in your photographs your photos become more interesting and it gives your body of work a stronger statement. In the same notice the placement of the nuns’ with white hoods and where they are in relationship to the black hoods. Nothing is an accident in this image as it is all directed to be visually appealing. 

 

 

 
 
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The next scene deals with light and shadow, or the absence of light. As the nuns walk into the Abbey they are walking directly towards the camera. At the end of this cut, two nuns walk right into the camera, (or it appears so.) The next cut the scenes switches to a darker shot showing the nuns’ from the back as they are now inside and taking their seats. The transition from light to backlight is a powerful tool to use in still photography. Try shooting your next images using front light and then letting your subjects become silhouettes using backlight. Once you master using this you will enjoy photography even more as you make more powerful images.

 

 

   

 

 

 

  
 
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Feel free to post your comments on Twitter using the hash tag #Soundofmusic and follow  me at @Matthew_JordanS  

A Unique Opportunity: Go beyond this exercise and join me in the Bahamas this May for the Fstoppers Photo Workshop as we turn this exercise into an incredible fashion story. Part 1 and part II of the Matthew Jordan Smith Fashion Photography Workshop will show you how to turn a classic film into a one-of-a-kind fashion story.

 

In part 1, you will learn how to plan, produce and create a fashion story. These principles will help you in every field of photography, from portraits to weddings and more. Part 1 of the workshop is focused on shooting a beautiful model in studio and you will learn how to use studio lights to make powerful graphic images based on the workshop theme. You’ll learn how to use constant lights and strobe lights. You’ll learn how to use a light meter and how to direct your models to get the best images possible. In part two, we will focus on working on location. You will take our model outside to shoot the location elements for your story and you’ll learn how to work on location with lights, an amazing model and a crew. By the end of this incredible workshop you will have a fantastic fashion story and become more confident in making more powerful photographs. Sign up soon as seats are limited.    

Big vs Small

I've taken two big trips this year centered around photography. The first was to China to receive the Power of Image award in Beijing, and the second was to Svalbard, just 600 miles south of the North Pole. Today, I'll spend a little time talking about China.

For both trips I was around professional and amateur photographers from all over the world, each with their own unique tools of the trade. I took my favorite camera along, a Sony A7R body and A7 Body with several lenses. I like using a battery grip because I love shooting vertical images in my line of work, but even when I shoot horizontally, the grip feels great in my hand. The grip also holds two batteries vs one, and this is very important considering how I shoot.

During my trip to China several of the photographers who also received awards asked or commented on my Sony A7R. It seems everyone is hearing about how great this camera is. One photographer, who is sponsored by another company, told me he'd purchased the Sony A7R in secret because he likes it so much. It is one power house of a camera.

Shooting with the Sony A7R on a smoggy day in Beijing

Shooting with the Sony A7R on a smoggy day in Beijing

Temple of Heaven Exhibit in Beijing, China



During the exhibit in Beijing, which took place at the Temple of Heaven, one of the photographers asked me to take a picture of him using his camera. When I held his big DSLR I was shocked how heavy and bulky it was. It's been a long time since I've had a camera like that in my hand, so I told him to hold my camera. He couldn't believe the weight of my A7R and talked about it the entire trip. I teased the others who complained about their heavy gear as we traveled around various parts of China, and shared some of the features that I really love about this camera. One of the best features for me about using the A7 and A7R is that the camera lets me concentrate on being creative. It doesn't get in the way. Yes, I am sponsored by Sony, but it's not the reason why I shoot Sony. The reason why I love shooting with this new Sony camera is that it gives the the flexibility to do great work and make critical adjustments in the moment. The electronic view finder is something that professional photographers can really take advantage of. I've watched so many people miss great images because they are looking at the last image on the back of the camera. During these moment, life is passing by, but with my Sony A7R I never miss a moment, because I get an instant preview of the image in the viewfinder. This way I never have to take my eye away from the viewfinder. When you are shooting street action things happen fast and you can't miss a moment by looking at the back of the camera to see if you have the shot.

The Sony A7R is small and light in weight but offers a 36MP image that blows the doors off other camera's. On top of that the price is substantially better than its competition.